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House’s thorough study of Monet’s working methods reveals that the impressionist nature-poet searched in a calculating way for suitable subjects to paint, even relying on travel guides for leads. Though Monet liked to present himself as a solitary hermit, he dominated the Paris art world and kept in touch with writers and artists. For patrons and buyers he would turn out an occasional still life to make a quick sale, and some of these, like Chrysanthemums (1897), were masterpieces. This handsomely illustrated monograph argues that Monet’s preoccupation was capturing a scene’s essential unifying atmosphere. In quest of this elusive goal, the artist would rework a canvas for months, whether outdoors or in his studio. House demonstrates that impressionism’s apparent spontaneity belies its studious craftsmanship. Copyright 1986 Reed Business Information, Inc.
Langue : Français Éditeur : Phaidon (28 juillet 1999) Format : Broché - 128 pages Reprint édition ISBN : 0714827231 Dimensions (en cm) : 1 x 23 x 30 Autres éditions :
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